This morning we got up and got ready to meet Gupta and head
off to see more of Agra. I must
apologize if I get names mixed up or misspelled or some of my history
wrong. My brain is getting
information overload and I don’t have time to confirm what I think I know
online.
Anyway, our first stop this morning was Agra Fort. This is a massive red sandstone fort
that encompasses 2.5 sq. kilometers along the bank of the Yamuna River. It
dominates old Agra and is a very masculine looking structure as opposed to the
ethereal and almost feminine beauty of the Taj. It was built in the 16th century and enlarged by
several of the Mughal emperors in succession. It’s surrounded by a double moat. The outer had water and had crocodiles and poisonous snakes
in it to repel attackers. The inner was dry and had tigers for the same
reason. It was attacked several
times but was not taken until the British came in the 19th century
with their gunpowder and cannons.
Today 25 % of the fort is open to the public and the remainder is used
by the Indian army.
The fort combines Mughal Indian and Persian/Islamic
architecture. Within the walls are
several palaces. The most
beautiful was built by Shah Jehan, the builder of the Taj Mahal, and he used
the same white marble that he used in the latter building. Once again the walls are beautifully
inlaid and painted and have lovely marble screens which look like lace or
filigree. One area was the
reception area where the Emperor would receive petitioners who came from all
over his empire hoping to get his favor for their petitions. He was the ultimate authority and there
was no recourse from his decisions.
This building reminded us a lot of the Alhambra in Granada with its
beautiful arched colonnade with Moorish style arches and intricate piedra stone
work. The red sandstone buildings
within the walls were also beautifully decorated. In places the carving looked like wood.
Front view of the Reception Room Colonnade which is very reminiscent of Granada |
The Emperor's private rooms. Imagine them draped in colorful silks and with plush carpets on the floors. |
Shah Jehan's jail where he could still see the Taj |
One of the rooms we visited was where Shah Jehan spent his
last years jailed by his son who had taken the crown. One of the Shah’s daughters intervened with her brother on
her father’s behalf and the rooms he was confined in gave him a view of the Taj
Mahal so he could always see his beloved wife’s mausoleum. Following his death he was buried next
to her in the Taj and in fact, his tomb is the only thing in the whole complex
which is not perfectly symmetrical.
His wife’s tomb is in the exact center of the building and his is next to
her off-center.
Beautiful carving on the sandstone part of the fort |
From the fort we stopped at a place where the descendants of
the artisans who did the wonderful inlay work on the Taj continue to do the
same inlay using the same tools.
Semi-precious stones are cut using a hand powered emery wheel into
various shapes to create flowers and animals. Once the pieces are precisely cut they are placed into hand
chiseled spaces on the same white marble used for the Taj. From these materials beautiful tables,
vases, boxes and other objets d’art are created and sold. The man who explained
the workmanship to us told us this a dying art since the next generation
doesn’t want to do the painstaking and physically difficult work. It’s very sad.
Inlay work still being done as it was 400 years ago |
Next stop was the “Baby Taj.” Across the river from Agra Fort sits the mausoleum of I'timād-ud-Daulah. He was a Persian Amir who also happened
to be the grandfather of MumTaz mahal.
On his death his daughter commissioned the tomb. The building is much smaller that the
Taj but combined many of the same ingredients and materials. It was
constructed between 1622 and 1628
and many people see it as a test run for the Taj. Something we found interesting about it’s inlaid work is
that in addition to using semi-precious gems in the designs petrified wood was
also used giving some of the flowers an added interest. The interior has some
lovely frescoes , some of them depicting ordinary household items. It’s another
quiet and beautiful sight where you can forget the hustle and bustle of old
Agra.
Baby Taj |
Detail of inlaid flower made with petrified wood. You can see it granular |
This fresco is on the ceiling. Doesn't it look like the central medallion of a carpet? |
We two old folks in the tomb room of the Baby Taj |
We were on a roll so off we went to a showroom displaying
Sham’s embroidery http://shamsembroidery.com/main1.html. This is a special kind of embroidery
using silver and gold threads and silk to create three dimensional designs with
no padding.. Shams was an artisan
born in 1917 who perfected this work.
In a special gallery there are several pieces of his work which have
been exhibited around the world in the Metropolitan Museum in New York,
Victoria and Albert Museum in London and others. They are truly spectacular! Shams was a Muslim but he did one life size work of Jesus
with a flock of lambs and sheep. The realism of his subjects was so incredible
that one could imagine the lambs coming out of the picture . No photos were allowed to preserve the
pieces.
On the floor above the embroidery showroom is the Kohinoor
Jewelry shop. Once again this is a
family who have been jewelers to the Moghuls for several generations – six I
think. The assortment of
handcrafted pieces both old and antique is incredible. Indians have very elaborate weddings
and much jewelry is purchased to be part of the dowry. Later on families may exchange pieces
for something that suits them more.
Somehow they had acquired an exquisite suite of emerald jewelry which
had belonged to an empress. I got
to try it all on. I’ve never had
more than 1200 carats hanging around my neck before!
A queen's suite of emerald jewelry. Now all I need is several 100 million dollars and I can wear it to Costco! |
Next stop a rug shop to see how Agra rugs are made. We have several Indian rugs at home and
it was interesting to see the method used. We’d seen them made in Turkey, but Indians use a different
technique. They don’t really use
knots but rather more of a figure eight around the warp threads. The workmanship is beautiful.
Weaving as it has been done for generations |
Our last stop for the day was the Mehta Bagh gardens
directly across the river from the Taj. While the latter was under construction
he would go there often to watch the beautiful monument being built. Some stories say that it was his
intention to build a duplicate tomb for himself on the opposite side of the
Yamuna. That one was to be of
black marble and be connected with the white Taj via a silver bridge. What a sight that would have been!
So after a very full day we were driven back to our hotel
where we sat on the lovely terrace for a while watching the fireworks all
around for the second day of Diwali and watching the Indian dancers
perform. We made it a pretty early
night because we had to get up at 5 AM next morning to be at the Taj for a
sunrise viewing.
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